Are viewers the new content aggregators?

Consumer spending on video streaming services is expected to rise 39% this year to about $13 billion, according to the Consumer Technology Association—a staggering factoid, especially when one considers that the average consumer around the world already views 4.4 hours of video a day.

That CTA data point, released at the just-wrapped Consumer Electronics Show (CES), dovetails with a TiVo survey (also released at CES 2018) that indicates an ongoing blurring of the line between streaming and more traditional sources of content. TiVo found that 90% of households subscribe to a traditional pay TV service. Nonetheless, 60% are also subscribers to at least one streaming service, suggesting that the 4.4 waking hours of video consumption is comprised of a mix of sources—with streaming poised to take on an escalating role.

A big driver for this is the proliferation of pacts between pay-TV providers and OTT providers (for instance, Comcast’s integration of Netflix into its Xfinity X1 interface). In turn, this has created a groundswell of streaming services moving to “input one”— meaning that consumers don’t have to toggle between devices or remotes in order to tap into streamed content. That convenience factor is ushering in a new era of content consumption. On-demand binge watching as a shared experience between families and friends in the living room has made shows like Stranger Things, The Handmaid’s Tale, and Mindhunter into overnight pop-culture sensations. Streaming may still be unicast on a technical level, but it’s no longer strictly experienced by one individual viewing content on a secondary screen on his or her own, or on one platform.

“Consumers today are acting as their own aggregator, piecing together what they need from a variety of video service and device combinations to suit their individual needs,” according to the survey. “Success in this new environment will not be about a single content source monopolizing the living room, instead it will be about adapting the business model to deliver value, integrated services, and personalization to meet the evolving consumer needs.”

It helps, too, that smart TV ownership in the US has nearly doubled since 2013, with an average of three connected TV (CTV) devices owned per household, according to yet another CES survey, from Nielsen. It found that 74% of people use their CTV daily and that CTV streaming patterns mirror traditional linear TV. The highest usage by those surveyed was in the 8-11 pm prime-time block.

Along with this, mobile streaming continues to be an important part of the landscape. At CES, it was clear that the TV isn’t the only piece of real-estate catering to the OTT use case. For instance, Razer and Netflix announced a deal to make the service available on the new Razer Phone, which supports HDR video and Dolby Digital Plus 5.1 sound. It’s a device that’s tailored for high-end media consumption, with the Razer Phone standing as the first smartphone to support both premium audio and video formats for Netflix.

It’s exciting to imagine where we’ll be when next year’s CES rolls around, given that the trends we’ve highlighted here, taken together, point to OTT video beginning to permeate every corner of consumer lives (and across screens that are making it easier than ever to access it). As a result, a complex entertainment economy is emerging, where cutting-edge devices, marquee content, better carrier networks and infrastructure innovation on the compression and quality of experience front all work together to deliver new, revenue-generating consumer experiences that put the viewer in the driver seat.

2018 Video Trends: 8K Makes a Splash

At the 2018 Consumer Electronics Show, video hardware manufacturers came out swinging on the innovation front—including 8K TVs and a host of whiz-bang UX improvements—leading to key discussions around the business and economic models around content and delivery.

On the hardware side, TV has dominated at CES, with LG and Samsung battling it out over premium living room gear. LG, in addition to debuting a 65-inch rollable OLED screen, made headlines with its announcement of an 88-inch 8K prototype television. It’s backed by the new Alpha 9 intelligent processor, which provides seven times the color reproduction over existing models, and can handle up to 120 frames per second for improved gaming and sports viewing.

Not to be outdone, Samsung has debuted its Q9S 8K offering (commercially available in the second half of the year), featuring an 85-inch screen with built-in artificial intelligence that uses a proprietary algorithm to continuously learn from itself to intelligently upscale the resolution of the content it displays — no matter the source of that content.

The Korean giant also took the wraps off of what it is calling “the Wall,” which, true to its name, is an enormous 146-inch display. It’s not 8K, but it’s made up of micro LEDs that it says will let consumers “customize their television sizes and shapes to suit their needs.” It also said that its newest TVs will incorporate its artificial digital assistant Bixby and a universal programming guide with AI that learns your viewing preferences.

It’s clear that manufacturers are committed to upping their games when it comes to offering better consumer experiences. And it’s not just TVs that are leading this bleeding edge of hardware development: CES has seen announcements around 4K VR headsets (HTC), video-enabled drones, cars that can utilize a brain-hardware connection to tee up video-laden interactive apps, and a host of connected home gadgets—all of which will be driving the need for a combination of reliable hardware platforms, content availability and, perhaps above all, a positive economic model for content delivery.

This year CES provided a view into the next generation of video entertainment possibilities that are in active development. But it will all be for naught if content producers and distributors don’t have reliable and scalable delivery networks for compatible video, where costs don’t spiral out of control as the network becomes more content-intensive. For instance, driving down the bitrate requirements for delivering, say, 8K, whether it’s in a pay-TV traditional operator model or on an OTT basis, will be one linchpin for this vision of the future.

We’re committed to making sure we are in the strongest position to bring our extensive codec development resources to bear on this ecosystem. HEVC, for instance, is recognized to be 40 to 50 percent more efficient for delivering video than legacy format, AVC H.264. With Beamr’s advanced encoding offerings, content owners can optimize their encoding for reduced buffering, faster start times, and increased bandwidth savings.

We’re also keeping an eye on the progression of the Alliance for Open Media (AOMedia)’s AV1 codec standard, which recently added both Apple and Facebook to its list of supporters. It hopes to be up to 30 percent more efficient than HEVC, though it’s very much in the development stages.

We’re excited about the announcements coming out of CES this year, and the real proof that the industry is well on its way to delivering an exponential improvement on the consumer video experience. We also look forward to helping that ecosystem mature and doing our part to make sure that innovation succeeds, for 8K in the living room and very much beyond.